On watching the film closely (once again) I saw something that had not registered before – a rather tantalising and interesting visual connection – that the famous dress-designer Dolly Tree made an appearance in Alfred Hitchcock’s The Lodger (1926)
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The White Shadow (1924)
Part of a two-picture deal starring the American actress Betty Compson, The White Shadow (1924) was the second picture from British director Graham Cutts, following in the footsteps of the highly successful Woman to Woman (1923).
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The White Shadow, a British Silent film from 1924 found in part
It would appear that several reels of the 1924 silent movie The White Shadow, starring Betty Compson have been found in New Zealand.
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The Artistry of Jean Peron Couture
Jean Peron Couture was a thriving couture establishment with outlets in Paris and London that flourished in the Jazz Age. During the 1920s Peron received glowing praise for its gowns in publications such as The Queen and The Times and The Era announced in one feature that ‘Peron prides himself on always being a little in front of fashion.’
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Woman to Woman (1923)
Graham Cutts’ Woman to Woman (1923) has been regarded as the most ground breaking British film to be released in the 1920s and although the film is lost and cannot be viewed, from the available commentary, reviews and remaining stills it was obviously a lavish and sophisticated production. It was a commercial success both at home and in the USA and launched the careers of three men who would play major roles in the development of British Cinema – Michael Balcon, Victor Savile and Alfred Hitchcock.
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