A Dolly Tree gown for Rita Johnson
A stunning dinner gown created by Dolly Tree for Rita Johnson in Stronger Than Desire in 1939
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The Gaby Doll Scene
Recently Doreen Marshall sent me a photo and message on my Jazz Age Club Facebook page of a 1920s Gaby Doll and box. It certainly piqued my interest because it was a representation of a scene from the Folies Bergere in 1923 with the costume designed by Dolly Tree.
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Dolly Tree and Myrna Loy
It is always annoying when you research, write and publish a book (Dolly Tree: A Dream of Beauty) and then you find an important quote, that should have gone in the book which has just been unearthed.
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The hardback of Dolly Tree: A Dream of Beauty is available from me for £70 (RRP £75)
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On watching the film closely (once again) I saw something that had not registered before – a rather tantalising and interesting visual connection – that the famous dress-designer Dolly Tree made an appearance in Alfred Hitchcock’s The Lodger (1926)
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Round in 50
Julian Wylie’s 1922 spectacular show for the London Hippodrome was Round in 50. It was not a golf problem but a ‘musical adventure’ designed as a vehicle for the hugely popular comedian George Robey, with the later addition of the American vaudeville star Sophie Tucker.
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The debut revue from the Julian Wylie and Jas W. Tate organization at the London Hippodrome was The Peepshow launched 14th April 1921. Described as a tropical fantasia it proved to be a runaway success partly because several of the main scenes had already been tried and tested in previous Wylie–Tate productions, and so from the outset, the production was viewed as being polished and well produced.
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Two Lancashire Lasses in London (1917)
Two Lancashire Lasses in London was a typical British feature film made during the First World War. The film is lost, at the time of its release it was overshadowed by big American releases and yet a press book has survived that gives us a glimpse of what it was all about.
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The Evolution of a Screen Gown by Dolly Tree at MGM in the 1930s
In the 1930s MGM was regarded as Hollywood’s premier film production company and renowned for the excellence of its costumes and gowns from its two designers Adrian and Dolly Tree and an array of costume makers. How did this incredible team produce such wonderful visions of beauty?
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Le style Mae West, c’est magnifique! The gowns for She Done Him Wrong (1933) the film version of Diamond Lil (1928)
Mae West’s gowns for She Done Him Wrong (1933), the film version of Diamond Lil (1928), seemingly caused a sensation at the time. But what is the story behind them? And who created them?
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