Joslin Bingham was known simply as ‘Frisco’ and became one of the most celebrated performers in Paris during the Jazz Age of the 1920s and then replicated his success in London in the 1930s. He was a jack of all trades, a fixer and a man behind the scenes who helped many black artists in Paris and London including Josephine Baker, Bricktop and Adelaide Hall.
Category Archives: Personalities
Tommy Ladd
Tommy Ladd had many loves and many different dancing partners. In addition to being a famous acrobatic dancer he was also a singer. Much of his early life is a mystery and establishing his later life and career is made doubly difficult because there was another American actor also named Tommy Ladd active at about the same time. After a glittering career in Europe, he finally settled down in California, where he came from, with his wife, the comedienne Helen Boice.
Fidi Grube
Fidi Grube
Fidi (Fidy) Grube was a talented dancer who rose to fame in the 1920s of Weimar Berlin dancing alongside Kathleen (Kitty) Zammit and toured Europe. The dancing team of Zammit and Grube was most certainly one of the best and most successful of all German dancing teams in the 1920s and early 1930s.
Joe Strassner
Joe Strassner
Joe Strassner was a German costume and fashion designer who made his name in Berlin in the 1920s and early 1930s designing couture and dressing a huge number of German films. He visited Hollywood with Lillian Harvey in 1933 and after the Nazi’s took power he fled first to Paris and then London. He replicated his Berlin success in London in the 1930s before leaving for New York in the 1940s where he ventured into the ready-to-wear market. It is also likely that in the 1920s he took the pseudonym of Ipsen Andre to perform as a dancer in cabaret where he frequently danced with Jenny Steiner, who became his wife.
Ipsen Andre
Ipsen Andre
The enigmatic Ipsen Andre was an elegant German dancer who seemingly emerged out of nowhere dancing mainly in Berlin cabaret revues from 1924. His dancing career lasted until the late 1920s when he simply disappeared. Frequently paired with Jenny Steiner, they became a prominent dancing pair in Berlin nightlife.
Jenny Steiner
Jenny Steiner
Jenny Steiner was one of the most exotic and glamorous stars of Jazz Age Berlin. Largely a dancer, she was also a model, a singer and an accomplished impersonator. Well known as one of Rudolf Nelson’s leading stars, her legacy has survived in numerous images and yet her importance has been somewhat marginalised. She was partner to several dancers but the most prominent association was with the somewhat mysterious Ipsen Andre who was most likely a pseudonym for the famous dress designer Joe Strassner whom she married in 1932.
Hanns Gerard
One of Germany’s leading exponents of dance in the Jazz Age of the 1920s and 1930s, alongside Mary Wigman, Harald Kreutzberg and Rudolf von Laban, was Hanns Gerard who created his touring company the Ballett Gerard out of Berlin. His performance style was totally distinctive, unique and different. Although described as ballet it was also more akin to pantomime and revue with themed ‘stories’ supported by distinctive costumes and décor.
Valia (1899-1993)
Her philosophy of life was simple ‘you know… I am really a fatalist at heart – I live for today. Tomorrow can look after itself.’ Picturegoer July 1923
Christened the British Barbara Le Marr, Valia was somewhat type-cast as ‘the charming movie vamp’ which was in stark contrast to her real personality. Valia starred in numerous melodramas in just a three-year period from 1921, but made a big splash and was highly regarded, before marrying an American millionaire and deserting the screen forever in 1924.
Fred Dixon and Girlie
One of the most novel and amusing cabaret acts from the Jazz Age of 1920s London was that of Fred Dixon and Girlie. Dixon and ‘his girl-friend’ danced at the New Princess Frivolities cabaret show in 1926 and thereafter on the stage in two touring shows.
The Female Impersonator Bert Errol
The Female Impersonator Bert Errol
One of the most influential and major stars of the British variety stage in the Jazz Age was Bert Errol. Hugely under-rated and now long forgotten, he was one of the few, seriously, successful female impersonators on the British stage and had the advantage of an incredible vocal range that was the key to his success.
