Julian Wylie’s last revue at the London Hippodrome was Better Days in 1925. Comprising 19 scenes, Better Days had a try-out at the Liverpool Empire from 9th March 1925 before its debut at the London Hippodrome on 19th March 1925. Continue reading Julian Wylie’s Revue Better Days
Casino des Folies
A long time ago I acquired a delightful little programme that looked as if it was for a venue called the Casino des Folies. The artwork by Ada Peacock is one of my favourites . But what was it for? and what or where was the Casino des Folies?
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Broadway : a cabaret and boot-legging drama of New York night-life
‘Broadway’ was regarded at the time as one of the best and slickest crime plays seen on the stage, laying bare the gangster racket in New York at the height of Prohibition in the mid 1920s. It was staged in both New York and London and was described as a thoroughly modern melodrama, although Theatre World insisted that the correct description, although a hybrid expression, was in fact a comedy drama.
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Round in 50
Julian Wylie’s 1922 spectacular show for the London Hippodrome was Round in 50. It was not a golf problem but a ‘musical adventure’ designed as a vehicle for the hugely popular comedian George Robey, with the later addition of the American vaudeville star Sophie Tucker.
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The debut revue from the Julian Wylie and Jas W. Tate organization at the London Hippodrome was The Peepshow launched 14th April 1921. Described as a tropical fantasia it proved to be a runaway success partly because several of the main scenes had already been tried and tested in previous Wylie–Tate productions, and so from the outset, the production was viewed as being polished and well produced.
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Yvonne: A musical comedy
Yvonne was an original musical comedy staged by George Edwardes at Dalys Theatre, London in mid 1926. It followed the huge success of Katja the Dancer, which had run for many months, and was a hard act to follow.
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The 4th production at the French Casino, New York was Folies d’Amour launched in late August 1936 and transferred to the London Casino in January 1937. Once again Clifford Fischer presented an excess of scenic artifice, flamboyant costumes and feminine pulchritude to such an extent that the New York Times said he was following in Ziegfeld’s footsteps with such tableaux as the Flowers of Paris, the old Jewel Box, the Metal Age and naughtiness of Goodnight.
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Folies de Femmes
The Folies de Femmes revue was the third show launched at the French Casino New York in February 1936 with an array of talent and spectacular scenes that included the Women from Paris, Military Fashions, Music of the Accordians and Supper in Paris.
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The French Casino Project
Following the example of the Ambassadeurs theatre-restaurant in Paris, an ambitious business consortium conceived the idea of a chain of luxurious theatre-restaurants and at one time in the mid 1930s they had branches in Chicago, New York, Miami and London. Clifford Fischer (who owned the Ambassadeurs) staged extravagant, French inspired revues that were created to tour each venue and were hailed as being the best cabaret entertainment ever seen.
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