The British born costume and fashion designer Dolly Tree in addition to being prolific in London and the regions in the 1920s had a great vogue in Paris and a great love of being in the French capital. But it is also clear that she developed a strong affinity and love for Spain and Barcelona in particular.
Tag Archives: Julian Wylie
Brighter London at the London Hippodrome, 1923
Julian Wylie’s 1923 London Hippodrome show Brighter London was in fact the second longest running revue in London during the 1920s, being overtaken by The Whirl of the World (1924) at the Palladium. The show had no real story but comprised a series of episodes with Cupid setting out to brighten London culminating in the appearance of the celebrated American band leader Paul Whiteman and his orchestra.
Continue reading Brighter London at the London Hippodrome, 1923
Crysede and Dolly Tree
Sometime in mid 1921 the theatrical costume designer Dolly Tree became associated with the famous Cornish textile company Crysede and the owner Alec Walker.
Leap Year at the London Hippodrome, 1924
Leap Year at the London Hippodrome, 1924
George Robey was the star of Julian Wylie’s third Hippodrome revue Leap Year described as ‘one of the best revues that London has ever seen’. Launched at the London Hippodrome on 20th March 1924 it ran for 471 performances. The show had no cohesive plot but was designed to showcase the talent of Robey as a comedian and he appeared in at least 11 of the scenes, which means that in fact Leap Year was constructed around him.
Julian Wylie’s Revue Better Days
Julian Wylie’s last revue at the London Hippodrome was Better Days in 1925. Comprising 19 scenes, Better Days had a try-out at the Liverpool Empire from 9th March 1925 before its debut at the London Hippodrome on 19th March 1925. Continue reading Julian Wylie’s Revue Better Days
The Female Impersonator Bert Errol
The Female Impersonator Bert Errol
One of the most influential and major stars of the British variety stage in the Jazz Age was Bert Errol. Hugely under-rated and now long forgotten, he was one of the few, seriously, successful female impersonators on the British stage and had the advantage of an incredible vocal range that was the key to his success.
