Harry Cahill was a multi-talented American dancer, female impersonator, singer and composer who became a popular and well-known figure in Paris during the 1920s and because of his achievements was once described as ‘a type of product of the Jazz Age.’
Fay Harcourt was a British dancer who made it big dancing in Paris in the Jazz Age of the 1920s as part of three dancing teams – the first with the American Harry Cahill, the second with a Russian called Nicholas and the third wit hthe Argentinian Peppy de Albreu. But, after a glittering career from 1922-1928 she simply vanished.
The phrase ‘Cinq a Sept’ (5 to 7 and pronounced ‘sank-ah-set’) has an interesting double meaning of its own significance to the French and other nationalities. Although a prevalent concept in the Jazz Age of the 1920s it still resonates today.
The costume designer Zig was the pen-name of one of the great artists for the Paris music hall in the Jazz Age. Prolific as an illustrator, creating artwork for posters, programme covers and sheet music, Zig also created stunning sets and costumes with a tremendous flair and originality from the mid to late 1920s and early 1930s, before dying at an early age in 1936. He must not to be confused with another illustrator called Zig Brunner.
From beauty marks and rhinestones, glamour, glitz and the spotlights to black light and television, Lester Ltd was the biggest and most influential theatrical costume house in Jazz Age Chicago that endured way into the late 1950s.
After four successful years (1920-1924) of being one of London’s premier rendezvous for dining and dancing, the décor for the Criterion’s famous Italian Roof Garden was swept away and the room was re-decorated and became a cabaret with a show that was called Carnival Time.
The Criterion in Piccadilly Circus, was a large collection of restaurants all housed in one building. It became an iconic rendezvous in London’s nightlife and a favoured haunt of London’s high society in the Jazz Age especially the splendid Italian roof garden that dazzled audiences from 1920-1924.
A Review of
NOT ONLY ERTE
Costume design for the Paris Music Hall 1918-1940
by Angelo Luerti
This is the most important book published to explore the full range of costume design talent that helped make the Parisian Music Hall a pinnacle of artistic achievement in the Jazz Age.
Chez Henri was an intimate and popular dance club that flowered in London in the mid 1920s and became one of the favoured haunts of London’s high society in the Jazz Age.