A prominant London couture atelier in the Jazz Age was that of Jean-Philippe based originally at 39 Conduit street, W1, which thrived through the 1920s and into the 1930s. Jean-Philippe was owned and run by the society hostess Mrs Simon Hartog and since the first known listing in the press was in late 1926, one must presume that the establishment was formed in or around 1926.
Chez des Nudistes
On 20th December 1932, the famous American cabaret owner, Joe Zelli, seemingly inaugurated a rather racy two hour cabaret show entitled ‘Chez les Nudistes’ at his venue called The Royal Box at 16 bis Rue Fontaine in Paris.
Ghost Signs: A London Story
The most comprehensive account of ghost signs ever published, focusing on London’s hand-painted relics of advertising past.
La Vie Parisienne: The 513 Art Deco Covers of the Twenties by Angelo Luerti
Another superb, full-colour book by Angelo Luerti. This is ultimately a book of pictures: a celebration of the glorious covers of La Vie Parisienne from the Jazz Age of the 1920s; the decade that would be remembered for the exhilarating cosmopolitan, worldly and liberal atmosphere of Paris.
Harry Cahill was a multi-talented American dancer, female impersonator, singer and composer who became a popular and well-known figure in Paris during the 1920s and because of his achievements was once described as ‘a type of product of the Jazz Age.’
Fay Harcourt was a British dancer who made it big dancing in Paris in the Jazz Age of the 1920s as part of three dancing teams – the first with the American Harry Cahill, the second with a Russian called Nicholas and the third wit hthe Argentinian Peppy de Albreu. But, after a glittering career from 1922-1928 she simply vanished.
The phrase ‘Cinq a Sept’ (5 to 7 and pronounced ‘sank-ah-set’) has an interesting double meaning of its own significance to the French and other nationalities. Although a prevalent concept in the Jazz Age of the 1920s it still resonates today.
The costume designer Zig was the pen-name of one of the great artists for the Paris music hall in the Jazz Age. Prolific as an illustrator, creating artwork for posters, programme covers and sheet music, Zig also created stunning sets and costumes with a tremendous flair and originality from the mid to late 1920s and early 1930s, before dying at an early age in 1936. He must not to be confused with another illustrator called Zig Brunner.
From beauty marks and rhinestones, glamour, glitz and the spotlights to black light and television, Lester Ltd was the biggest and most influential theatrical costume house in Jazz Age Chicago that endured way into the late 1950s.
After four successful years (1920-1924) of being one of London’s premier rendezvous for dining and dancing, the décor for the Criterion’s famous Italian Roof Garden was swept away and the room was re-decorated and became a cabaret with a show that was called Carnival Time.