Tag Archives: Graham Cutts

Film

Herbert Langley

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 Originally a baritone in opera, Langley made his film debut in 1922 for Herbert Wilcox and was an instant hit in heavy, villainous roles gaining the description of ‘Britain’s best ‘bad man’ and the British Lon Chaney.

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Film

Paddy the Next Best Thing (1923)

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Paddy the Next Best Thing (1923)

Herbert’s Wilcox’s second film with Mae Marsh, following The Flames of Passion, was Paddy the Next Best Thing, a romantic drama about a young tomboy and her growing love for a rich landowner set in Ireland and London, once again directed by Graham Cutts.

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Personalities

Josephine Earle

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Josephine Earle

Josephine Earle was an American actress who made a name for herself at Vitagraph in a series of Vamp movie roles from 1915. She then made herself thoroughly at home in England during the 1920s appearing in British silent films, legitimate stage shows and cabaret.

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Film

The Flames of Passion (1922)

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Flames of Passion (1922)

One of the earliest ground breaking British silent films from Herbert Wilcox and Graham Cutts was The Flames of Passion starring the American actress Mae Marsh and a solid British cast.

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Film

The White Shadow (1924)

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The White Shadow (1924)

Part of a two-picture deal starring the American actress Betty Compson, The White Shadow (1924) was the second picture from British director Graham Cutts, following in the footsteps of the highly successful Woman to Woman (1923).

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Film

Betty Blythe and She (1926)

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Clothes, Legs and ‘I’m no Beauty’ – Betty Blythe gets her finger burned

The 1926 adaptation of the Rider Haggard novel She by G.B Samuelson starring the American actress Betty Blythe proved to be a fiasco, ended up in court and, as a result of the ensuing press coverage, provides us with a fascinating insight into the film business of the time.

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Film

Woman to Woman (1923)

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Woman to Woman (1923)

Graham Cutts’ Woman to Woman (1923) has been regarded as the most ground breaking British film to be released in the 1920s and although the film is lost and cannot be viewed, from the available commentary, reviews and remaining stills it was obviously a lavish and sophisticated production. It was a commercial success both at home and in the USA and launched the careers of three men who would play major roles in the development of British Cinema – Michael Balcon, Victor Savile and Alfred Hitchcock.

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