Tag Archives: Moulin Rouge

la Tournee des Grands Ducs

la Tournee des Grands Ducs

la Tournee des Grands Ducs was an intriguing term for a nocturnal tour of the Montmartre night-spots in Paris, which came about in the late 19th century due to the antics of the Russian nobility. Thereafter, in the Jazz Age of the 1920s, it simply became a term to describe an evening outing exploring the night-spots of Paris and ‘painting the town red.’

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The Costume Designer Zig

The costume designer Zig was the pen-name of one of the great artists  for the Paris music hall in the Jazz Age. Prolific as an illustrator, creating artwork for posters, programme covers and sheet music, Zig also created stunning sets and costumes with a tremendous flair and originality from the mid to late 1920s and early 1930s, before dying at an early age in 1936. He must not to be confused with another illustrator called Zig Brunner.

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Fernando (Sonny) Jones

Fernando (Sonny) Jones was an intriguing, if somewhat elusive, black performer who made his life and career in Europe and especially in Paris in the 1920s.  He was an accomplished dancer and made it big headlining in the Palace Theatre show Paris Voyeur in Paris in the 1925-1926 season. Throughout his career he was closely linked to Louis Douglas, another high profile black artist.

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Charles Gesmar

Charles Gesmar by Angelo Luerti

Charles Ges(i)mar, simply known as Gesmar, was one of the greatest designers of costumes and posters during the golden age of the Paris music hall during the Jazz Age and was primarily renowned for his work for the great Parisian star Mistinguett. Although his tenure was short, his output was prolific and his creativity and talent unrivalled.

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Miss Florence

Miss Florence

The stunningly beautiful and dark haired ‘Miss Florence’ startled Parisian audiences as a member of the Gertrude Hoffman troupe in 1924 when she came on stage on an elephant as the Queen of Sheba. She became a popular celebrity in her own right, before teaming with Julio Avarez in a dancing partnership that proved highly successful mainly in New York and Miami cabarets in the 1930s.

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Woman to Woman (1923)

Woman to Woman (1923)

Graham Cutts’ Woman to Woman (1923) has been regarded as the most ground breaking British film to be released in the 1920s and although the film is lost and cannot be viewed, from the available commentary, reviews and remaining stills it was obviously a lavish and sophisticated production. It was a commercial success both at home and in the USA and launched the careers of three men who would play major roles in the development of British Cinema – Michael Balcon, Victor Savile and Alfred Hitchcock.

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