A prominant London couture atelier in the Jazz Age was that of Madame Yvonne based at 8 Motcombe Street, Belgrave Square, SW1 but with another salon in Bond Street.
It is not known when the establishment was founded nor the identity of ‘Yvonne’ but it did thrive in the 1920s and perhaps into the 1930s and was described as Court Dressmakers.
In the summer of 1922 several frocks were described in Dancing Times including a graceful, clinging, orchid mauve gown with long lines that would look lovely in any shade of crepe suzette (a silken material resembling georgette). The flower girdle of shaded orange convolvuli encircled the wiast and could be made in whatever colouring required.
A second model was created in copper coloured crepe suzette with the newest of sleeves that were loose and flowing. Another, third model was in yellow cotton georgette with original embroideries in green, purple and white beads. There was also a range of charming hats for river, country or town wear.
In October 1922 Madame Yvonne for some reason displayed the latest Paris and West Creations of frocks and hats from her collection at the Royal Avenue Hotel, Belfast for three days between 10am-5pm. It was announced that Madame Yvonne was more than just a court dressmaker and milliner as she created for the individual, having regard to face, figure and personality.
In the summer of 1924 ‘Yvonne’ was given great praise ‘no girl with a dress sense wants to have a frock like everyone else’s, and that is why she is delighted with ‘Yvonne’s’ models. They possess that little difference which distinguishes the ordinary from the original and is the secret of al good dressing.’
In September 1925, The Tatler displayed a sketch of an artistic wedding gown designed by Madame Yvonne, made of chiffon velvet. The draperies were lined with silver tissue, there was a train of Brussels point lace that was lined with powder blue chiffon and ensemble was completed with a wreath of orange blossoms and tulle veil.
If you have any further information about Madame Yvonne and her couture business, please let me know.
Sources
Dancing Times July 1922
Northern Whig 30/10/22
Dancing Times May 1924
Dundee Courier 18/8/1925
The Tatler 23/9/25
I have an exquisite 28 x 20 in. museum quality original 1920 watercolour painting of the interior of Madame Yvonne’s atelier with swirling models parading the newly revealed couture to appreciative but critical clientele. Within the mirror in the painting the invitation to the artist is discernible and slipped into the edges of its frame. The painting is by national treasure, William Russell Flint, who later became the President of The Royal Watercolour Society and Knighted for services to Art. Its provenance is Frost and Reed, thence to the private collection of a famous bespoke shirtmaker and now to me
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