The Ambassadeurs Show 1929
The fourth Ambassadeurs show in Paris was presented by Edmund Sayag in the summer of 1929 with a vaguely oriental but again distinctively American content.
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The British artist Hugh Willoughby rose to prominence in the new wave of costume designers and illustrators that emerged after the First World War during the Jazz Age. He made a name for himself in London and Paris before moving to the USA in the mid 1920s.
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The 4th production at the French Casino, New York was Folies d’Amour launched in late August 1936 and transferred to the London Casino in January 1937. Once again Clifford Fischer presented an excess of scenic artifice, flamboyant costumes and feminine pulchritude to such an extent that the New York Times said he was following in Ziegfeld’s footsteps with such tableaux as the Flowers of Paris, the old Jewel Box, the Metal Age and naughtiness of Goodnight.
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Folies de Femmes
The Folies de Femmes revue was the third show launched at the French Casino New York in February 1936 with an array of talent and spectacular scenes that included the Women from Paris, Military Fashions, Music of the Accordians and Supper in Paris.
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Folie Parisienne was the second presentation at the French Casino New York in September 1935. It was transferred to the Miami Beach French Casino in January 1936 and was then the opening show at the London Casino in April 1936. It was a highly elaborate mix of spectacle, ballet and speciality acts with fashion shows, dog shows, butterflies, fountains, a carpet of roses, aerialists, dancers and as usual a magnificent array of mannequins and chorus girls.
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