The White Lyres
One of the first Jazz Bands to organize in Paris after the armistice following the end of World War 1 was the White Lyres. The two founding members were the Americans Bill Henley and Kelvin Keech and other members fluctuated throughout its existence. The band performed in London, Paris, the south of France, Turkey, Egypt and the rest of Europe but by 1925 it had dissipated, with both Bill Henley and Kel Keech fronting their own bands and going their separate ways.
Harry Cahill was a multi-talented American dancer, female impersonator, singer and composer who became a popular and well-known figure in Paris during the 1920s and because of his achievements was once described as ‘a type of product of the Jazz Age.’
Fay Harcourt was a British dancer who made it big dancing in Paris in the Jazz Age of the 1920s as part of three dancing teams – the first with the American Harry Cahill, the second with a Russian called Nicholas and the third wit hthe Argentinian Peppy de Albreu. But, after a glittering career from 1922-1928 she simply vanished.
The costume designer Zig was the pen-name of one of the great artists for the Paris music hall in the Jazz Age. Prolific as an illustrator, creating artwork for posters, programme covers and sheet music, Zig also created stunning sets and costumes with a tremendous flair and originality from the mid to late 1920s and early 1930s, before dying at an early age in 1936. He must not to be confused with another illustrator called Zig Brunner.
The Acacias night-club was a hall at the rear of the Hotel Acacias sited at 47 Rue des Acacias near the Bois de Bologne with a garden utilized for the summer. It was one of the many night-resorts in Paris in the Jazz Age that became a favoured rendezvous of high society throughout the 1920s. The roster of performers who appeared at Les Acacias was astonishing, providing a veritable Who’s Who of glittering international stars of stage and cabaret.
Fernando (Sonny) Jones was an intriguing, if somewhat elusive, black performer who made his life and career in Europe and especially in Paris in the 1920s. He was an accomplished dancer and made it big headlining in the Palace Theatre show Paris Voyeur in Paris in the 1925-1926 season. Throughout his career he was closely linked to Louis Douglas, another high profile black artist.
